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Los Angeles Music - Nine Inch Nails, Radiohead, Free Music and Creative Competition - page 1
More revolutionary is Reznor’s decision to license The Slip as an “attribution noncommercial share-alike,” which means that any part of the music can be used by anyone for any noncommercial purpose.
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More revolutionary is Reznor’s decision to license The Slip as an “attribution noncommercial share-alike,” which means that any part of the music can be used by anyone for any noncommercial purpose.
Musicians can prosper in the age of free music « Interactions
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As a research tool for this paper, I’ve used Diigo, a service that let’s you highlight, save and manage text directly on web pages.
Revenue Protect: Eric's Blog: Pay As You Like
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However, stealing the music helped to instigate a life-long passion that also caused me to go to the record shops and buy many of the songs I listened to.
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All that changes is that instead of advertising the music, the advert is the music. The bands instead make money from gigs and t-shirts, neither one of which can be copied quite so cheaply or easily.
Radiohead's Pay-As-You-Like Experiment Deemed Huge Success, Drove Record CD Sales | Maximum PC
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Earning a considerable amount more than they did on their previous album with nearly 1.75 million physical albums sold and 3 million copies sold total, Radiohead has earned the right to mark this down as a rousing success. It should also be noted that they made more money off of the digital distribution of ‘In Rainbows’ than they did on their previous album, ‘Hail To the Thief’ which only sold somewhere in the low hundred thousands.
Radiohead’s In Rainbows: A Look at Anti-Marketing in the Music Industry
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The RIAA sees file sharing as mere copyright infringement but pundits fail to understand that file-sharers are music fans, first and foremost. Some of them are far more willing to support independent ventures if you understand or reach out to their community.
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Look beyond commercial side of all ventures and embrace your audience before everything else. Especially if you are someone who believes in the value of what you are offering to the entire world.
The Inevitable March of Recorded Music Towards Free
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2007 is turning out to be a terrible year for the music industry. Or rather, a terrible year for the the music labels.
The DRM walls are crumbling. Music CD sales continue to plummet rather alarmingly. Artists like Prince and Nine Inch Nails are flouting their labels and either giving music away or telling their fans to steal it. Another blow earlier this week: Radiohead, which is no longer controlled by their label, Capitol Records, put their new digital album on sale on the Internet for whatever price people want to pay for it.
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Users will be encouraged (even paid, as radio stations are today) to download, listen to and share music. Passionate users who download music from the Internet and share it with others will become the most important customers, not targets for ridiculous lawsuits.
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