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    <title>Forestfortrees's Favorite Links on media from Diigo</title>
    <link>http://www.diigo.com/user/Forestfortrees/media</link>
    <pubDate>Tue, 19 Aug 2008 15:07:53 -0000</pubDate>
    <lastBuildDate>Tue, 19 Aug 2008 15:07:53 -0000</lastBuildDate>
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      <title>Harold Adams Innis: The Bias of Communications</title>
      <link>http://records.viu.ca/~media113/innis.htm</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/innis' rel='tag'&gt;innis&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/theory' rel='tag'&gt;theory&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/philosophy' rel='tag'&gt;philosophy&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/epistemology' rel='tag'&gt;epistemology&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Tue, 19 Aug 2008 15:07:53 -0000</pubDate>
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      <title>Confessions of an Aca/Fan: How Fan Fiction Can Teach Us a New Way to Read Moby-Dick (Part One)</title>
      <link>http://henryjenkins.org/2008/08/how_fan_fiction_can_teach_us_a.html</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Highlights and Sticky Notes:&lt;/strong&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;Another one chose Elijah, the prophet, and the awful dilemma of being able to see the future and no one believing or understanding what you're trying to tell them.  &quot;I'm going to warn you about this, but if don't heed my warning this is what's going to happen,&quot; and the awful dilemma that you face.  His story was about 9/11.   &quot;I'm trying to tell you this is going to happen,&quot; and then nobody listened, and how awful he felt that he knew and couldn't stop it.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;&lt;ul&gt;&lt;p&gt;If there is a shared agenda within the diversity and fragmentation that has often characterizes the American media literacy movement, it has come through a focus on five core questions students and teachers have been taught to apply to a range of texts:&lt;/p&gt;

&lt;p&gt;       &lt;/p&gt;&lt;ul&gt;&lt;br /&gt;
	&lt;li&gt;1. Who created this message?&lt;/li&gt;&lt;br /&gt;
	&lt;li&gt;       2. What creative techniques are used to attract my attention?&lt;/li&gt;&lt;br /&gt;
	&lt;li&gt;       3. How might different people understand this message differently from me?&lt;/li&gt;&lt;br /&gt;
	&lt;li&gt;       4. What lifestyles, values, and points of view are represented in, or omitted from, this message?&lt;/li&gt;&lt;br /&gt;
	&lt;li&gt;       5. Why is this message being sent?&lt;/li&gt;&lt;/ul&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;What's not in the text is seen here as consciously or unconsciously excluded; often there's a hint that certain ideas or perspectives are being silenced, marginalized, or repressed. This formulation sets the reader in ideological opposition to the text while maintaining a clear separation between producers and consumers. This understanding reflects a moment when the power of mass media was extensive and the average consumer had no real way to respond to the media's agenda except through critical analysis. In a participatory culture, however, any given work represents a provocation for further creative responses. When we read a blog or a post on a forum, when we watch a video on YouTube, the possibility exists for us to respond -- either critically or creatively. We can write a fierce rebuttal of an argument with which we disagree or we can create a new work which better reflects our point of view.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;Schools have historically taught students how to read with the goal of producing a critical response; we want to encourage you to also consider how to teach students how to engage creatively with texts. Under this model, we should still be concerned with what's not in the text; the difference is in what we do about it.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/literacies' rel='tag'&gt;literacies&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/education' rel='tag'&gt;education&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Tue, 19 Aug 2008 14:54:07 -0000</pubDate>
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      <title>Is Google Making Us Stupid?</title>
      <link>http://www.theatlantic.com/doc/200807/google</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/google' rel='tag'&gt;google&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/technology' rel='tag'&gt;technology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/article' rel='tag'&gt;article&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/opinion' rel='tag'&gt;opinion&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Wed, 13 Aug 2008 23:38:17 -0000</pubDate>
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      <title>A pragmatic essay on media practices and processes « media/anthropology</title>
      <link>http://johnpostill.wordpress.com/2008/07/16/a-pragmatic-essay-on-media-practices-and-processes</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/pragmatism' rel='tag'&gt;pragmatism&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/anthropology' rel='tag'&gt;anthropology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/technology' rel='tag'&gt;technology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/research' rel='tag'&gt;research&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Sun, 10 Aug 2008 11:17:37 -0000</pubDate>
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      <title>Grassroots leadership and media technologies: bibliographic references « media/anthropology</title>
      <link>http://johnpostill.wordpress.com/2008/05/30/grassroots-leadership-and-media-technologies-some-references</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/anthropology' rel='tag'&gt;anthropology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/power' rel='tag'&gt;power&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/reference' rel='tag'&gt;reference&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/articles' rel='tag'&gt;articles&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Sat, 21 Jun 2008 10:58:14 -0000</pubDate>
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      <title>Framing Science : Colbert on Obama's Elitism</title>
      <link>http://scienceblogs.com/framing-science/2008/06/colbert_on_obamas_elitism.php</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Highlights and Sticky Notes:&lt;/strong&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;
        &lt;object height='316' width='332' classid=&quot;clsid:D27CDB6E-AE6D-11cf-96B8-444553540000&quot; codebase=&quot;http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0&quot; &gt;
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        &lt;/object&gt;&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/obama' rel='tag'&gt;obama&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/politics' rel='tag'&gt;politics&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/news' rel='tag'&gt;news&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/humor' rel='tag'&gt;humor&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Mon, 16 Jun 2008 21:09:29 -0000</pubDate>
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      <title>Adobe - Design Center : Design anthropology: What can it add to your design practice?</title>
      <link>http://www.adobe.com/designcenter/thinktank/tt_tunstall.html</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Highlights and Sticky Notes:&lt;/strong&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;to answer the question of design &quot;success&quot; requires that they answer that question of how the processes and artifacts of design help define what it means to be human. This &quot;humanness&quot; can range from how humans control the environment through tools (homo faber); how high-heeled shoes affect natural ways of walking; to moral issues of how participation in the design process empowers marginalized communities. In this space, the practice and theory of design anthropology has emerged.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;standard card sorting exercise, but I also did research into how humans classify information&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;The focus of design anthropology is on connecting the process of design to the meanings and functions designed artifacts have for people.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;Design anthropology does not place separate emphasis on values, or design, or experience, which are the domains of philosophy, academic design research, and psychology, respectively.  Rather, design anthropology focuses on the interconnecting threads among all three, requiring hybrid practices. The outcomes of design anthropology include statements providing some deeper understanding of human nature as well as designed communications, products, and experiences.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;&lt;ul&gt;&lt;p&gt;four problem areas of anthropology:  &lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;The nature-nurture problem (ex. Is it biology or environment that causes humans to respond to something in a particular way?)&lt;/li&gt;
&lt;li&gt;The evolution problem (ex. How do things expand and change over time?) &lt;/li&gt;
&lt;li&gt;The internal-external problem (ex. What are the ways in which behaviors are influenced by values or environmental conditions?) &lt;/li&gt;
&lt;li&gt;The social facts or emergent properties problem (ex. How are people influenced by social forces that emerge from the interaction of humans, but which transcend individuals?) &lt;/li&gt;&lt;/ol&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;One of their main insights was that Chinese parents viewed the computer as a distraction from their children learning Mandarin for school, which was an answer to the nurture question. But also, as part of their design process, Intel would have tested how adults and children interact with the hard and software features of the PC. The result was a physical lock-and-key mechanism that, from across the room, could alert Chinese parents to when the PC was being used in an &quot;open mode,&quot; which allowed for surfing the web of playing games, versus in an &quot;education mode,&quot; which restricted their child to schoolwork.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;How do designed communications, artifacts, and experiences spread, change, or grow over time? The evolution problem requires longitudinal approaches that explore the relationships among artifacts, time, and place. Methodologically, these can take the form of multi-year studies within a region and/or the creation of image databases that can be re-mined over time.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;early discovery and later design phases were structured to contribute general statements about how design translates values of democracy, transparency, accountability, and efficiency into tangible experiences. Something as simple as providing graphical illustrations to explain the voting method on a ballot can make someone with low literacy feel like the government is being more transparent about the process, which increases his or her voting confidence.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;The emergent properties problem frames the majority of design anthropology projects, because it tends to lead product and service innovations.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;better understand how the social forces of digitalization and globalization influenced people's behaviors&lt;/div&gt;&lt;ul&gt;&lt;li&gt;Key Question &lt;small&gt;posted by &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/small&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;So the approach of &quot;living with people&quot; and observing, interviewing, participating in activities, and giving them prototypes to play with might provide some insight into new ways in which people are relating to artifacts and to each other.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;act[s] as an emissary for people like the barber or the shoe-shop owner's wife, enlightening the company through written reports and PowerPoint presentations on how they live and what they're likely to need from a cellphone, allowing that to inform its design.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;The outcomes of design anthropology include statements providing some deeper understanding of human nature as well as designed communications, products, and experiences.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/anthropology' rel='tag'&gt;anthropology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/design' rel='tag'&gt;design&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/research' rel='tag'&gt;research&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/technology' rel='tag'&gt;technology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Mon, 09 Jun 2008 16:34:52 -0000</pubDate>
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      <title>Clay Shirky vs. Cultural Studies? | Snurblog</title>
      <link>http://snurb.info/node/812</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Highlights and Sticky Notes:&lt;/strong&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;collective &quot;cognitive surplus&quot; that is now being harnessed by participatory, Web 2.0, produsage initiatives&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;media habits, media diets are beginning to shift, and that this is likely to have profound implications especially for participatory, collaborative, produsage projects&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;The shift, then, is &lt;em&gt;not&lt;/em&gt; in the first place from passive media consumption to active media participation (and this is where Shirky's rhetoric is most problematic). But it is a shift from the reception of one-way, broadcast media, for which I would suggest meaning-making practices remain more often internal to the receiver, to the reception (at first) of two-way, online media for which meaning-making practices &lt;em&gt;can&lt;/em&gt; more easily lead to the externalisation &lt;em&gt;and sharing&lt;/em&gt; of receiver's responses.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/technology' rel='tag'&gt;technology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/web2.0' rel='tag'&gt;web2.0&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/participation' rel='tag'&gt;participation&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/social' rel='tag'&gt;social&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Sat, 07 Jun 2008 10:10:04 -0000</pubDate>
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      <title>Confessions of an Aca/Fan: MC Lars, &quot;Ahab,&quot; and Nerdcore</title>
      <link>http://henryjenkins.org/2008/06/mc_lars_ahab_and_nerdcore.html</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/hiphop' rel='tag'&gt;hiphop&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/literature' rel='tag'&gt;literature&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/nerdcore' rel='tag'&gt;nerdcore&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/videos' rel='tag'&gt;videos&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Sat, 07 Jun 2008 10:06:58 -0000</pubDate>
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      <title>thedigitalist.net » Manifesto Download</title>
      <link>http://thedigitalist.net/?p=155</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/manifesto' rel='tag'&gt;manifesto&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/publishing' rel='tag'&gt;publishing&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/books' rel='tag'&gt;books&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/technology' rel='tag'&gt;technology&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Sat, 07 Jun 2008 09:49:42 -0000</pubDate>
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      <title>Op-Ed Columnist - Paul Krugman - Bits, Bands and Books, Paying for Creativity in a Digital World - Op-Ed - NYTimes.com</title>
      <link>http://www.nytimes.com/2008/06/06/opinion/06krugman.html?_r=1&amp;hp&amp;oref=slogin</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/economics' rel='tag'&gt;economics&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/economy2.0' rel='tag'&gt;economy2.0&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/technology' rel='tag'&gt;technology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/opinion' rel='tag'&gt;opinion&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Fri, 06 Jun 2008 11:16:17 -0000</pubDate>
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      <title>Hypermedia and Synesthesia</title>
      <link>http://www.media-ecology.org/publications/MEA_proceedings/v1/hypermedia_and_synesthesia.html</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Highlights and Sticky Notes:&lt;/strong&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;But what distinguishes such “multimedia texts” from other forms of multimedia production, such as computer games, virtual reality simulations, television productions, documentaries, and other such mixed media? The distinction lies in the fact that hypermedia consists of a symbolic system that incorporates images into the textuality of the piece as a whole, rather than turning text into just another of a range of images&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/synesthesia' rel='tag'&gt;synesthesia&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/technology' rel='tag'&gt;technology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/academic' rel='tag'&gt;academic&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/article' rel='tag'&gt;article&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Thu, 05 Jun 2008 17:16:15 -0000</pubDate>
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      <title>FORA.tv - Videos Covering Today's Top Social, Political, and Tech Issues</title>
      <link>http://fora.tv</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/education' rel='tag'&gt;education&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/politics' rel='tag'&gt;politics&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/culture' rel='tag'&gt;culture&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/lectures' rel='tag'&gt;lectures&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Wed, 04 Jun 2008 18:22:51 -0000</pubDate>
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      <title>…My heart’s in Accra » David Weinberger and the Ninja Gap</title>
      <link>http://www.ethanzuckerman.com/blog/2008/06/02/david-weinberger-and-the-ninja-gap</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/anthropology' rel='tag'&gt;anthropology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/technology' rel='tag'&gt;technology&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Wed, 04 Jun 2008 15:20:38 -0000</pubDate>
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    <item>
      <title>Welcome to Produsage.org | Produsage.org</title>
      <link>http://produsage.org</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/produsage' rel='tag'&gt;produsage&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/culture' rel='tag'&gt;culture&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/research' rel='tag'&gt;research&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/concept' rel='tag'&gt;concept&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Thu, 29 May 2008 15:55:02 -0000</pubDate>
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      <title>Fields and networks « media/anthropology</title>
      <link>http://johnpostill.wordpress.com/2008/05/16/fields-and-networks</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/technology' rel='tag'&gt;technology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/anthropology' rel='tag'&gt;anthropology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/culture' rel='tag'&gt;culture&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/politics' rel='tag'&gt;politics&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Thu, 29 May 2008 10:12:42 -0000</pubDate>
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      <title>Wired on imaging ‘neurohype’ « Neuroanthropology</title>
      <link>http://neuroanthropology.wordpress.com/2008/05/22/mindhacks-on-imaging-neurohype</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/neuroscience' rel='tag'&gt;neuroscience&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/critique' rel='tag'&gt;critique&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/anthropology' rel='tag'&gt;anthropology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/culture' rel='tag'&gt;culture&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Thu, 29 May 2008 10:05:51 -0000</pubDate>
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      <title>Conversations Below Sea Level: Geert Lovink</title>
      <link>http://blog.ulisesmejias.com/2008/05/27/conversations-below-sea-level-geert-lovink</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/technology' rel='tag'&gt;technology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/identity' rel='tag'&gt;identity&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/agency' rel='tag'&gt;agency&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/ethnicity' rel='tag'&gt;ethnicity&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Wed, 28 May 2008 10:40:51 -0000</pubDate>
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      <title>This Blog Sits at the: Between William Gibson and William Faulkner (aka all worlds at once)</title>
      <link>http://www.cultureby.com/trilogy/2008/05/between-william.html</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Highlights and Sticky Notes:&lt;/strong&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;the future is already here, it's just badly distributed.&amp;nbsp;&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;In the South, not only is the past not dead, it's not past.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;we are getting better at producing more futures faster.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;The first anthropological question is how we have managed to get ourselves stretched between Gibson's futures (the ones that get here early, I mean) and Faulkner's pasts (the one that won't go away, I mean).&amp;nbsp; The second is how we live in a world when the present isn't actually very orienting, when what we live in is, potentially, all worlds at once.&amp;nbsp; Economies just not to be responsive.&amp;nbsp; Culture need to be something more than that.&amp;nbsp; They need to be orienting.&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/culture' rel='tag'&gt;culture&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/anthropology' rel='tag'&gt;anthropology&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/equity' rel='tag'&gt;equity&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/time' rel='tag'&gt;time&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/technology' rel='tag'&gt;technology&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Wed, 28 May 2008 10:16:22 -0000</pubDate>
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      <title>Confessions of an Aca/Fan: The Further Adventures of The &quot;Henry Jenkins&quot; Cartoon Character</title>
      <link>http://henryjenkins.org/2008/05/the_further_adventures_of_the.html</link>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Highlights and Sticky Notes:&lt;/strong&gt;&lt;p&gt;&lt;div class=&quot;content&quot;&gt;&lt;img title=&quot;&quot; src=&quot;http://bitstrips.com/strips/40273.png&quot; alt=&quot;&quot; /&gt;&lt;/div&gt;&lt;/p&gt;&lt;p&gt;&lt;p&gt;&lt;strong&gt;Tags:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/media' rel='tag'&gt;media&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/criticalpedagogy' rel='tag'&gt;criticalpedagogy&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/academia' rel='tag'&gt;academia&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/symobolic' rel='tag'&gt;symobolic&lt;/a&gt; &lt;a href='http://www.diigo.com/user/forestfortrees/comics' rel='tag'&gt;comics&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Posted by:&lt;/strong&gt; &lt;a href='http://www.diigo.com/user/forestfortrees'&gt;forestfortrees&lt;/a&gt;&lt;/p&gt;</description>
      <pubDate>Fri, 02 May 2008 16:30:21 -0000</pubDate>
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    <ttl>60</ttl>
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