Member since Jul 27, 2006, follows 0 people, 0 public groups, 85 public bookmarks (86 total).
More »
Tags
| Recent Tags: | |
|---|---|
| Top Tags: |
More »
Recent Bookmarks and Annotations
- If music DRM is dead, the RIAA expects its resurrection on 2008-06-04
-
RA: Model 500: Remake/remodel - Feature / Interview on 2008-05-19
-
Mad Mike: You can't sell records hardly no more. In order to generate some cheese, you gotta start stepping up and playing live. That's the only way for people to give you love. In Brazil or China, these people want to get down too. They can't buy the records, but they can download and create a demand to see you. If you can get there and play live, they can give you a little love back. I feel like there is also an extinction worry. There's so much competition, these guys kinda know "Damn, I gotta step up or ain't nobody gonna know black people had anything to do with this shit.” I think quietly lurking behind the scenes, that element is definitely present. These guys feel like "I gotta step up and represent the inner city for this music" otherwise people are gonna forget this shit came from the inner city. In fact, I think a lot of people have already forgot. If it wasn't for a few freedom fighters out there we'd all be back to work. I think that element is heavy in peoples' hearts. It's sad – these guys go to Europe, they show these people how to do electronic music, how to deejay, what records go with what. 15-20 years later, you're in your 40's and the words "old school" start getting attached to you. At UR, we stay in Detroit and we pick up guys like Milton, Billeebob, Mark Flash, motherfuckers like this because you gotta keep training younger newer producers who want to make tracks.
-
-
Wired News: Artistic Ennui Is on the Menu on 2007-02-14
-
"When people program -- i.e. decide on which set of possible options they should make available," he reasons, "they express a philosophy about what operations are important in the world. If the philosophy they express is anything like the level of breathtaking stupidity that the games they play and the internet conversations they have are, then we are completely sunk. We are victims of their limitations."
-
-
On popular music: I. The musical material on 2007-02-13
-
This also accounts for revivals in popular music. They do not have the outworn character of standardized products manufactured after a given pattern. The breath of free competition is still alive within them.
-
The original patterns that are now standardized evolved in a more or less competitive way. Large-scale economic concentration institutionalized the standardization, and made it imperative. As a result, innovations by rugged individualists have been outlawed.
- 4 more annotations...
-
- Burnstation - Free Audio Culture !! on 2007-01-04
-
Web 2.0 on 2006-12-19
-
Google doesn't try to force things to happen their way. They try
to figure out what's going to happen, and arrange to be standing
there when it does. That's the way to approach technology-- and
as business includes an ever larger technological component, the
right way to do business. -
But there is a common thread. Web 2.0 means using the web the way
it's meant to be used. The "trends" we're seeing now are simply
the inherent nature of the web emerging from under the broken models
that got imposed on it during the Bubble. - 1 more annotations...
-
-
Telegraph | News | Software that knows what you like (in your iTunes wardrobe) on 2006-12-16
-
"I think we are drowning in information and choices and you really need good filtering to help you get the stuff you really want," said.
-
"That's the sort of stuff I know I dream of and I would like that to happen in all sorts of areas," said Gabriel, 56. "I like eating at Clarke's restaurant London where Sally Clarke will just feed you rather than give you a big menu. I think there are times when you want to explore and research stuff and dig down, but there are a lot of times when you just want really good stuff to arrive."
- 1 more annotations...
-
-
MetOnline on 2006-12-12
-
This new revolution in music distribution has
offered us a world in which all you need to have your sound heard
by a global audience
is a website and hosting service. Now those with the ambition
to run a record label – but not necessarily the means – have
an avenue to promote music and artists that they believe in.
As a result, netlabels have become a launch pad for many musicians
whose work may have otherwise gone unnoticed. -
So while the birth of MP3 culture and online music trading is
sometimes thought to be damaging the music industry as a
whole,
the existence and growing popularity of netlabels shows that
a new ethic in music distribution is emerging in tandem with
the advances in technology available. - 1 more annotations...
-
-
On popular music: II. Presentation of the material on 2006-12-12
-
According to Adorno every popular song can be made into hit by plugging it: "Provided the material fulfills certain minimum requirements, any given song can be plugged and made a success, if there is adequate tie-up between publishing houses, name bands, radio and moving pictures."
-
- Piet Zwart Institute - Copyright, Cultural Production and Open Content Licensing on 2006-12-07
Highlighter, Sticky notes, Tagging, Groups and Network: integrated suite dramatically boosting research productivity. Learn more »
Join Diigo