Recent Bookmarks and Annotations
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earthlights map de noche on 2009-08-07
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Living Labs Global on 2009-06-29
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Spanish mobile data market will double in five years, claims study - FierceWireless:Europe on 2009-04-27
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Vodafone Spain gains in saturated market - FierceWireless:Europe on 2009-04-27
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Mobile virtual network operator - Wikipedia, the free encyclopedia on 2009-04-27
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Usually, the MVNO does not own any
GSM,
CDMA or other core mobile network related infrastructure, such as
Mobile Switching Centers (MSCs), or a radio access network. Some may own their own
Home Location Register, or HLR, which allows more flexibility and ownership of the subscriber's mobile phone number (
MSISDN) - in this case, the MVNO appears as a
roaming partner to other networks abroad, and as a "network" within its own region. Some MVNOs run their own Billing and Customer Care solutions known as BSS (Business Support Systems). Many use an
MVNE.
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Barclaycard Business - Press releases - British Airways still the top choice for business travellers on 2009-04-18
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Over half (58%) of those who favour Virgin Atlantic do so because they like the brand while, unsurprisingly, easyJet customers are primarily attracted by low fares (85%).
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British Airways remains the undisputed champion amongst employees of larger companies, increasing its share of this market to 54% in 2005/06, way ahead of its nearest competitor, Virgin Atlantic (7%).
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| 1. |
British Airways |
32% |
(-3% from 2004/05) |
2. |
Virgin Atlantic |
7% |
(-1% from 2004/05) |
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Virgin Blue - Wikipedia, the free encyclopedia on 2009-04-18
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Virgin America - Wikipedia, the free encyclopedia on 2009-04-18
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Cinema of the United States - Wikipedia, the free encyclopedia on 2009-04-15
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Most Hollywood pictures adhered closely to a formula -
Western,
slapstick comedy,
musical,
animated cartoon,
biopic (biographical picture) - and the same creative teams often worked on films made by the same studio. For example,
Cedric Gibbons and
Herbert Stothart always worked on
MGM films,
Alfred Newman worked at
Twentieth Century Fox for twenty years,
Cecil B. De Mille's films were almost all made at
Paramount, and director
Henry King's films were mostly made for Twentieth Century Fox. At the same time, one could usually guess which studio made which film, largely because of the actors who appeared in it; MGM, for example, claimed it had contracted "more stars than there are in heaven." Each studio had its own style and characteristic touches which made it possible to know this - a trait that does not exist today
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After
The Jazz Singer was released in 1927, Warner Bros. gained huge success and was able to acquire their own string of movie theaters, after purchasing
Stanley Theaters and
First National Productions in 1928. MGM had also owned the
Loews string of theaters since forming in 1924, and the Fox Film Corporation owned the
Fox Theatre strings as well
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Movie-making was still a business, however, and motion picture companies made money by operating under the
studio system. The major studios kept thousands of people on salary - actors, producers, directors, writers, stunt men, craftspersons, and technicians. And they owned hundreds of theaters in cities and towns across the nation, theaters that showed their films and that were always in need of fresh material.
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Throughout the 1930s, as well as most of the golden age, MGM dominated the film screen and had the top stars in Hollywood, and was also credited for creating the Hollywood star system altogether
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Embarrassingly for the studios, it was an independently-produced animated film that did not feature any studio-employed stars.
[5] This stoked already widespread frustration at the practice of
block-booking, in which studios would only sell an entire year's schedule of films at a time to theaters and use the
lock-in to cover for releases of mediocre quality
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The Supreme Court eventually ruled that the major studios ownership of theaters and film distribution was a violation of the
Sherman Antitrust Act. As a result, the studios began to release actors and technical staff from their contracts with the studios. This changed the paradigm of film making by the major Hollywood studios, as each could have an entirely different cast and creative team. This resulted in the gradual loss of the characteristics which made
MGM,
Paramount,
Universal,
Columbia,
RKO, and
Fox films immediately identifiable
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Studios now aimed to produce entertainment that could not be offered by television: spectacular, larger-than-life productions. Studios also began to sell portions of their theatrical film libraries to other companies to sell to television. By 1949, all major film studios had given up ownership of their theaters.
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Television was also instrumental in the decline of Hollywood's Golden Age as it broke the movie industry's hegemony in American entertainment. Despite this, the film industry was also able to gain some leverage for future films as longtime government censorship faded in the 1950s.
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American films have become increasingly divided into two categories:
Blockbusters and
independent films.
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tudios supplement these movies with
independent productions, made with small budgets and often independently of the studio corporation
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The 1980s and 1990s saw another significant development. The full acceptance of
home video by studios opened a vast new business to exploit. Films such as
The Secret of NIMH and
The Shawshank Redemption, which performed poorly in their theatrical run, were now able to find success in the video market. It also saw the first generation of film makers with access to video tapes emerge.
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With the rise of the
DVD in the
21st century, DVDs have quickly become even more profitable to studios and have led to an explosion of packaging extra scenes, extended versions, and
commentary tracks with the films.
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Film industry - Wikipedia, the free encyclopedia on 2009-04-15
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Because of labor and infrastructure costs, many films are produced in countries other than the one in which the company which pays for the film is located. For example, many U.S. movies are filmed in
Canada, the
United Kingdom,
Australia,
New Zealand or in
Eastern European countries.
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The United States has the largest film industry in terms of revenue, and
Los Angeles, California is the primary nexus of the U.S. film industry.
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The
Indian film industry is
multi-lingual and the largest in the world in terms of ticket sales and number of films produced
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Indian films have been gaining increasing popularity in the rest of the world — notably in countries with large numbers of expatriate Indians.
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India's film industry is mostly concentrated in
Mumbai (Bombay),
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Hong Kong is a filmmaking hub for the Chinese-speaking world (including the worldwide
diaspora) and East Asia in general. For decades it was the third largest motion picture industry in the world (after Indian and Hollywood) and the second largest exporter of films
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Unlike many film industries, Hong Kong has enjoyed little to no direct government support, through either subsidies or import quotas
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t was not until 1911 that countries other than Australia began to make feature films
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In the early 1900s, in the earliest years of the industry, motion picture production companies from New York and New Jersey started moving to California because of the good weather and longer days. Although electric lights existed at that time, none were powerful enough to adequately expose film; the best source of illumination for movie production was natural sunlight.
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Another reason was the distance of Southern California from New Jersey, which made it more difficult for Thomas Edison to enforce his motion picture patents
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The first
movie studio in the Hollywood area,
Nestor Studios, was founded in 1911 by
Al Christie for
David Horsley in an old building on the northwest corner of
Sunset Boulevard and Gower Street. In the same year, another fifteen Independents settled in Hollywood. Hollywood came to be so strongly associated with the film industry that the word "Hollywood" came to be used colloquially to refer to the entire industry.
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From about 1930, five major Hollywood movie studios from all over the Los Angeles area,
Paramount,
RKO,
20th Century Fox,
Metro-Goldwyn-Mayer and
Warner Bros., owned large, grand
theaters throughout the country for the exhibition of their movies. The period between the years 1927 (the effective end of the silent era) to 1948 is considered the age of the "Hollywood studio system", or, in a more common term, the
Golden Age of Hollywood.
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