The stickiest challenge regarding the use of digital cameras might be intellectual property. Traditionally, it has been thought that the archivist must have complete control over who copies what by physically copying everything (a great constraint on time and resources), or else, by giving the control to the researcher, the archivist must then relinquish the intellectual control she had over the documents, trusting the researcher to deal fairly with the images she took. Depending on the collection, after all, the importance of maintaining control over the documents must not be forgotten, and while copyright “is a ‘cultural bargain’ that encompasses the rights for the creator, for users, and for the public,”
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62] the archivist invariably ends up in the middle and must “protect legal rights in the underlying content”
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63] of its digital documents.