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This link has been bookmarked by 46 people . It was first bookmarked on 29 Jul 2006, by Janine.

  • 03 Oct 09
  • 01 Oct 09
  • 30 Sep 09
    mostly
    Elisabeth Nesheim

    Donna Haraway's referenced manifest describing the hybrid between man and machine, the Cyborg and uses this metaphor to discuss gender in terms of cultural constructions, (dis)connection to the body and identiy.

    cyborg body hybrid gender constructionism feminism cybernetic computer man ManMachine

    • am making an argument
      for the cyborg as a fiction mapping our social and bodily reality and as
      an imaginative resource suggesting some very fruitful couplings
    • Identities seem contradictory, partial,
      and strategic. With the hard-won recognition of their social and historical
      constitution, gender, race, and class cannot provide the basis for belief
      in 'essential' unity. There is nothing about teeing 'female' that naturally
      binds women
    • 6 more annotations...
  • 23 Jul 09
  • 30 May 09
    jaybee79
    Jay Bee

    Donna Haraway, "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century," in Simians, Cyborgs and Women: The Reinvention of Nature (New York; Routledge, 1991), pp.149-181.

    feminism gender technocapitalism inclusion PhD

    • Irony is about contradictions
      that do not resolve into larger wholes, even dialectically, about the tension
      of holding incompatible things together because both or all are necessary
      and true. Irony is about humour and serious play. It is also a rhetorical
      strategy and a political method, one I would like to see more honoured within
      socialist-feminism.
    • A cyborg is a cybernetic organism, a hybrid of machine and organism,
      a creature of social reality as well as a creature of fiction. Social reality
      is lived social relations, our most important political construction, a
      world-changing fiction. The international women's movements have constructed
      'women's experience', as well as uncovered or discovered this crucial collective
      object. This experience is a fiction and fact of the most crucial, political
      kind. Liberation rests on the construction of the consciousness, the imaginative
      apprehension, of oppression, and so of possibility. The cyborg is a matter
      of fiction and lived experience that changes what counts as women's experience
      in the late twentieth century. This is a struggle over life and death, but
      the boundary between science fiction and social reality is an optical illusion.
    • 23 more annotations...
  • 12 May 09
  • 12 Apr 09
    • the metaphor C31
    • ethical perplexity
    • 48 more annotations...
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  • 26 Sep 08
    • A cyborg is a cybernetic organism, a hybrid of machine and organism,
      a creature of social reality as well as a creature of fiction.
    • The cyborg is a matter
      of fiction and lived experience that changes what counts as women's experience
      in the late twentieth century.
    • 18 more annotations...
  • 06 Sep 08
    • blasphemy
  • 03 Sep 08
    • So my cyborg myth is about transgressed boundaries, potent fusions, and
      dangerous possibilities which progressive people might explore as one part
      of needed political work. One of my premises is that most American socialists
      and feminists see deepened dualisms of mind and body, animal and machine,
      idealism and materialism in the social practices, symbolic formula-tions,
      and physical artefacts associated with 'high technology' and scientific
      culture. From One-DimensionalMan (Marcuse, 1964) to The Death of Nature
      (Merchant, 1980), the analytic resources developed by progressives have
      insisted on the necessary domination of technics and recalled us to an imagined
      organic body to integrate our resistance. Another of my premises is that
      the need for unity of people trying to resist world-wide intensification
      of domination has never been more acute. But a slightly perverse shift of
      perspective might better enable us to contest for meanings, as well as for
      other forms of power and pleasure in technologically mediated societies.



    • Chela Sandoval (n.d., 1984), from a consideration of specific historical
      moments in the formation of the new political voice called women of colour,
      has theorized a hopeful model of political identity called 'oppositional
      consciousness', born of the skills for reading webs of power by those refused
      stable membership in the social categories of race, sex, or class.
    • 9 more annotations...
  • 01 Sep 08
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  • 16 Jun 08
    rgarns
    Rudy Garns

    "A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well as a creature of fiction. Social reality is lived social relations, our most important political construction, a world-changing fiction. The international women's movements have constructed 'women's experience', as well as uncovered or discovered this crucial collective object. This experience is a fiction and fact of the most crucial, political kind. Liberation rests on the construction of the consciousness, the imaginative apprehension, of oppression, and so of possibility. The cyborg is a matter of fiction and lived experience that changes what counts as women's experience in the late twentieth century. This is a struggle over life and death, but the boundary between science fiction and social reality is an optical illusion." Originally "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century," in Simians, Cyborgs and Women: The Reinvention of Nature (New York; Routledge, 1991), pp.149-181.

    cyborgs feminism haraway culture technology AZB

  • 02 Jun 08
    • 149-181
  • 21 May 08
    katepe
    katarina peovic

    Donna Haraway, "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century," in Simians, Cyborgs and Women: The Reinvention of Nature (New York; Routledge, 1991), pp.149-181.

    cyborg feminism ZTK haraway

  • 26 Mar 08
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  • 20 Sep 07
    • A cyborg is a cybernetic organism, a hybrid of machine and organism,
      a creature of social reality as well as a creature of fiction. Social reality
      is lived social relations, our most important political construction, a
      world-changing fiction.
    • The cyborg is a creature in a post-gender world; it has no truck with
      bisexuality, pre-oedipal symbiosis, unalienated labour, or other seductions
      to organic wholeness through a final appropriation of all the powers of
      the parts into a higher unity. In a sense, the cyborg has no origin story
      in the Western sense - a 'final' irony since the cyborg is also the awful
      apocalyptic telos of the



       



      151



      'West's' escalating dominations of abstract individuation, an ultimate
      self untied at last from all dependency, a man in space. An origin story
      in the 'Western', humanist sense depends on the myth of original unity,
      fullness, bliss and terror, represented by the phallic mother from whom
      all humans must separate, the task of individual development and of history,
      the twin potent myths inscribed most powerfully for us in psychoanalysis
      and Marxism.

  • 23 May 07
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  • 05 Feb 07
    • A cyborg is a cybernetic organism, a hybrid of machine and organism,
      a creature of social reality as well as a creature of fiction. Social reality
      is lived social relations, our most important political construction, a
      world-changing fiction.
    • Communications technologies depend
      on electronics. Modern states, multinational corporations, military power,
      welfare state apparatuses, satellite systems, political processes, fabrication
      of our imaginations, labour-control systems, medical construc-tions of our
      bodies, commercial pornography, the international division of labour, and
      religious evangelism depend intimately upon electronics. Micro-electronics
      is the technical basis of simulacra; that is, of copies without originals.
    • 17 more annotations...
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