This link has been bookmarked by 76 people . It was first bookmarked on 02 Mar 2006, by elina.
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22 Jun 15
danthonyamos'So you wanna work in Movies' is a real-life guide to working in feature files, a response to the question: How do I get into Movies? by Oliver Stapleton BSC
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Film Directors not only have to be able to visualize in their heads, but they also have to be able to deal with a lot of very demanding and very different types of people. Occasionally someone like Karasawa or Hitchcock appear. People like them are so brilliant that they clearly don't live in the same world as us mere mortals. And it is up to us to Protect and Preserve People like Them - the Brilliant Ones. In the Good Old Days (a phrase banned from my vocabulary, but I'm allowed to write it), the Brilliant Ones were revered by society: Philosophers, Writers, Composers, and Artists. Nowadays Film Directors of all kinds get the treatment, but most of them are not The Brilliant Ones, but are just Ordinary Mortals trying to get in the limelight and make a decent movie. Good luck to them.
I don't like working with Directors who don't have anything to say, and are horrid to everybody because they perceive themselves as being important. They don't like working with me much either (fortunately). Some Directors are really nice people but not very good Directors, and some of them are really Brilliant but not very nice. Occasionally you will find one who is really Brilliant and Really Nice. Try and work with these!
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Development.
1. Collaboration with the Producer(s) (or themselves).
2. Collaboration with the Writer(s) (or themselves.)Pre-Production & Shooting
3. Collaboration with the Production, Costume & Make-Up .
4. Collaboration with the Cinematographer.Post-Production
5. Collaboration with the Editor & Composer.
6. Collaboration with Marketing (or not!).
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fred biggarA response to people who ask: What do I do to get into Movies?
By Oliver Stapleton BSCfilm filmmaking cinema movie cinematography production ismanilafilm
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