Stephen Spaeth on 2009-04-08
Does this apply to our students who want to critique film? If they follow the guidelines for purpose, citation and quantity and non-competition I think that it should.
This link has been bookmarked by 159 people . It was first bookmarked on 07 Jul 2008, by Doug Noon.
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. Fair use is the right to use copyrighted material without permission or payment under some circumstances.
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Marc SafranBest practices in Fair Use for Online Video (7/08)
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Melissa SmithCode of Best Practices - tutorials, explanations on how to teach this concept, and more - Copyright laws
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wayne andersonFrom the Center for Social Media at American University
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- Did the unlicensed use “transform” the material taken from the copyrighted
work by using it for a different purpose than that of the original, or did it
just repeat the work for the same intent and value as the original? - Was the material taken appropriate in kind and amount, considering the
nature of the copyrighted work and of the use?
Fair use is flexible; it is not uncertain or unreliable. In fact, for any
particular field of critical or creative activity, lawyers and judges consider
expectations and practice in assessing what is “fair” within the field. In
weighing the balance at the heart of fair use analysis, judges refer to four
types of considerations mentioned in the law: the nature of the use, the nature
of the work used, the extent of the use and its economic effect. This still
leaves much room for interpretation, especially since the law is clear that
these are not the only necessary considerations. In reviewing the history of
fair use litigation, we find that judges return again and again to two key
questions:Both questions touch on, among other things, the question of whether the use
will cause excessive economic harm to the copyright owner. - Did the unlicensed use “transform” the material taken from the copyrighted
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This document is a code of best practices that helps creators, online providers, copyright holders, and others interested in the making of online video interpret the copyright doctrine of fair use. Fair use is the right to use copyrighted material without permission or payment under some circumstances.
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Lisa M LaneONE: COMMENTING ON OR CRITIQUING OF COPYRIGHTED MATERIAL, TWO: USING COPYRIGHTED MATERIAL FOR ILLUSTRATION OR EXAMPLE, THREE: CAPTURING COPYRIGHTED MATERIAL INCIDENTALLY OR ACCIDENTALLY, FOUR: REPRODUCING, REPOSTING, OR QUOTING IN ORDER TO MEMORIALIZE, PR
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eric biederbeckvideo about fair use
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Christina DiMicelliCode of Best Practices in Fair Use for Online Video
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Steve RansomCode of Best Practices in Fair Use for Online Video. Full report PDF available.
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Anne BubnicAnother fabulous teaching video - Code of Best Practices in Fair Use for Online Video.
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Kathleen NFair Use specifically for online video
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Stephen SpaethThis document is a code of best practices that helps creators, online providers, copyright holders, and others interested in the making of online video interpret the copyright doctrine of fair use. Fair use is the right to use copyrighted material without permission or payment under some circumstances.
This is a guide to current acceptable practices, drawing on the actual activities of creators, as discussed among other places in the study Recut, Reframe, Recycle: Quoting Copyrighted Material in User-Generated Video and backed by the judgment of a national panel of experts. It also draws, by way of analogy, upon the professional judgment and experience of documentary filmmakers, whose own code of best practices has been recognized throughout the film and television businesses.-
Copyright law has several features that permit quotations from copyrighted works without permission or payment, under certain conditions. Fair use is the most important of these features. It has been an important part of copyright law for more than 150 years. Where it applies, fair use is a right, not a mere privilege. In fact, as the Supreme Court has pointed out, fair use keeps copyright from violating the First Amendment. As copyright protects more works for longer periods than ever before, it makes new creation harder. As a result, fair use is more important today than ever before.
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Video makers can take heart from other creator groups’ reliance on fair use. For instance, historians regularly quote both other historians’ writings and textual sources; filmmakers and visual artists reinterpret and critique existing work; scholars illustrate cultural commentary with textual, visual, and musical examples. Equally important is the example of commercial news media. Fair use is healthy and vigorous in daily broadcast television news, where references to popular films, classic TV programs, archival images, and popular songs are constant and routinely unlicensed.
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Where a sound or image has been captured incidentally and without pre-arrangement, as part of an unstaged scene, it is permissible to use it, to a reasonable extent, as part of the final version of the video.
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- Did the unlicensed use “transform” the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original?
- Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
In reviewing the history of fair use litigation, we find that judges return again and again to two key questions:
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If the answers to these two questions are “yes,” a court is likely to find a use fair.
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SIX: QUOTING IN ORDER TO RECOMBINE ELEMENTS TO MAKE A NEW WORK THAT DEPENDS FOR ITS MEANING ON (OFTEN UNLIKELY) RELATIONSHIPS BETWEEN THE ELEMENTS
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for example, as in “Bush Blair Endless Love,” changes the meaning of all three pieces of copyrighted material
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Michelle KrillThis document is a code of best practices that helps creators, online providers, copyright holders, and others interested in the making of online video interpret the copyright doctrine of fair use. Fair use is the right to use copyrighted material without permission or payment under some circumstances.
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Alan LevineThis document is a code of best practices that helps creators, online providers, copyright holders, and others interested in the making of online video interpret the copyright doctrine of fair use.
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Tobi Kruttcopyright information for video use
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y campbellcode of best practices that helps creators, online providers, copyright holders, and others interested in the making of online video interpret the copyright doctrine of fair use (no parody exception in Canada)
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Gary RitzenthalerThis document is a code of best practices that helps creators, online providers, copyright holders, and others interested in the making of online video interpret the copyright doctrine of fair use.
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Mark BlairThis document is a code of best practices that helps creators, online providers, copyright holders, and others interested in the making of online video interpret the copyright doctrine of fair use. Fair use is the right to use copyrighted material without permission or payment under some circumstances.
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Allison KiptaThis document is a code of best practices that helps creators, online providers, copyright holders, and others interested in the making of online video interpret the copyright doctrine of fair use. Fair use is the right to use copyrighted material without
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This document is a code of best practices that helps creators, online providers, copyright holders, and others interested in the making of online video interpret the copyright doctrine of fair use
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It’s not a guide to using material people give permission to use, such as works using Creative Commons licenses. Anyone can use those works the way the owners say that you can.
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M C Morgana guide to current acceptable practices,
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Mike BogleThis document is a code of best practices that helps creators, online providers, copyright holders, and others interested in the making of online video interpret the copyright doctrine of fair use.
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Hope on a ropevids are transformative and therefore not in violation of copyright, according to the Centre for Social Media
Public Stiky Notes
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