This link has been bookmarked by 115 people . It was first bookmarked on 24 Apr 2007, by a77ila.
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06 May 12
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angular lines and forms are generally indicative of strength, speed, and masculinity, w
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contrast, balance, harmony, and distribution.
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creating or suggesting contrasts,
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to define hierarchy,
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elationships,
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The primary forms of contrast include size, position, color, texture, shape, and orientation.
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contrast helps lead the reader’s eye into and through your layou
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ithin a hierarchy that’s specific to the project at hand. F
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on in the upper left-hand area.
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ewspapers can provide excellent examples of how to craft an effective information hierarchy and define the order in which readers will consume content.
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text size, images, color, and position on the page creates a predictable order of consumption.
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05 Mar 12
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24 Jan 12
Merlyn ReynaContrast defines hierarchy, understanding relationships to convey a message. It is used to hand in hand with the principle of emphasis in order to keep its emphasis. Every element must be positioned with style, size, and distinguished with a specific importance. This article gives an idea of how contrast is typically used by giving examples.
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The function of contrast in defining meaning can be explained by comparing fundamental opposites: dark/light, soft/hard, fast/slow.
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every element on the page you’re designing has to be positioned, styled, sized, or otherwise distinguished in accordance with its specific importance and place in the overall communicative objective.
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ontrast helps lead the reader’s eye into and through your layout.
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Contrast is everywhere and a part of everything we see, do, experience, and understand.
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Contrast is just one component of design fundamentals.
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24 Nov 11
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31 Oct 11
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18 Sep 11
Keya MurphyEven though this page does talk a little bit about other principles of design, I believe that the section abot contrast was written very well and it is easy for somee to understand. And in the very top of the page, the author provides a nice example of what contrast is.
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14 Sep 11
Megan HurrellCh 3 BOD- Contrast
This article discusses the fundamentals of contrast in documentation with clever analogies and examples. -
08 Sep 11
Briseida AguirreThe meaning and the background of why to use contrast is an important concept that the book covered that why I choose this website . This website gives a good insight on the meaning and reasoning for contrast . As well as give the principles of it and what you can manipulate to create contrast .
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04 Sep 11
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05 Aug 11
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Despite the importance of these fundamentals, the language of art and design is no different from any other language in that the rules of its vocabulary and grammar do not fully define it.
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Yet, no language succeeds without structure.
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Contrast
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meaningful essence of any thing is defined
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That’s right: nothing has much meaning by itself, which is one reason why design is important.
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n other words, every element on the page you’re designing has to be positioned, styled, sized, or otherwise distinguished in accordance with its specific importance and place in the overall communicative objective.
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Simply put, contrast is at the root of almost everything you’ll accomplish with design.
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The primary forms of contrast include size, position, color, texture, shape, and orientation.
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About copy
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Registration copy
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One is information copy and the other is supposed to be action copy
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Now, informational content and actionable content have been more appropriately defined and contrasted.
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more compelling call-to-action area
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Designers should know that we humans habitually scan our surroundings. We may focus on one small area or item for a time, but when we change our field of vision, we first begin to visually “consume” that new view by performing a quick scan.
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The largest image and largest text are paired to define what will likely be seen first (1).
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reader’s eyes (2)
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reader’s attention next (3
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01 Jul 11
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08 Jun 11
Karla FreemanGives great definitions of contrast and design. I think it will be a great resource now and later.
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Delaney HensleyHuman instinct is a huge reason why contrast is so important. It is our nature to be drawn to the bold ideas.
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your grasp of these fundamentals determines your ability to communicate effectively. Without fundamentals, you will flounder when faced with complex design challenges or constraints.
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These basics of creative communication are consistent across art forms: painting, music, dance, acting, poetry, design, and all other artistic endeavors. I divide them into two categories: vocabulary and grammar.
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For instance
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nce, angular lines and forms are generally indicative of strength, speed, and masculinity, while rounded lines and forms are generally associated with softness, slower tempo, and femininity.
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Moreover, most of the rules of language have exceptions, and some creative modes of communication make little or no reference to rules. Every language is lent nuance, style and character by the way that each individual uses it, and there are exceptions for every grammatical rule.
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which are used to define hierarchy, manipulate certain widely understood relationships, and exploit context to enhance or redefine those relationships…all in an effort to convey meaning. Contrast is important because the meaningful essence of any thing is defined by its value, properties, or quality relative to something else. That’s right: nothing has much meaning by itself, which is one reason why design is important.
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contrast is closely tied to human perception and survival instincts, as we’ll examine later, and this makes contrast a powerful and essential tool for designers.
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Furthermore, each component is but a piece of the overall project message and objective. With creative uses of contrast, you can influence user choices and compel specific actions.
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06 Jun 11
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08 May 11
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05 May 11
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02 Apr 11
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Designers should know that we humans habitually scan our surroundings. We may focus on one small area or item for a time, but when we change our field of vision, we first begin to visually “consume” that new view by performing a quick scan. In doing this, we unconsciously look for elements of contrast—things that stand out from the forest of mundane elements—as part of our instinctive threat-detection process.
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If you’ve used contrast to craft a visual information hierarchy, you can compel viewers to look where you want them to.
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04 Mar 11
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hich things and ideas acquire meaning; more than any other factor, your grasp of these fundamentals determines your ability to communicate effectively. Without fundamentals, you will flounder when faced with complex design challenges or constraints.
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basics of creative communication are consistent across art forms: painting, music, dance, acting, poetry, design, and all other artistic endeavors. I divide them into two categories: vocabulary and grammar.
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Artistic Vocabulary:
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These elements form the content of our communication.
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line, form, color, and texture.
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Artistic Grammar:
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contrast, balance, harmony, and distribution.
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no language succeeds without structure.
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creative modes of communication mentioned earlier are only meaningful by how they contrast with widely understood reference points. These widely understood
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reference points get their meaningful essence the same way that everything else does: through contrast.
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Design is largely an exercise in creating or suggesting contrasts, which are used to define hierarchy, manipulate certain widely understood relationships, and exploit context to enhance or redefine those relationships
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02 Mar 11
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10 Jan 11
Francis VargasWeb Layouts and other important facts about Web Designing
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they help convey context and manipulate relationships among content elements
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the meaningful essence of any thing is defined by its value, properties, or quality relative to something else
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If you’re a designer, you work to communicate and convey meaning.
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Artistic Vocabulary: The vocabulary of artistry is found largely within the fundamentals of line, form, color, and texture.
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creating or suggesting contrasts, which are used to define hierarchy, manipulate certain widely understood relationships, and exploit context to enhance or redefine those relationships
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Communicative grammar is generally defined by contrast, balance, harmony, and distribution.
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Artistic Vocabulary: The vocabulary of artistry is found largely within the fundamentals of line, form, color, and texture. These elements form the content of our communication. Various forms of these elements have widely understood connotations; some universal and some cultural. For instance, angular lines and forms are generally indicative of strength, speed, and masculinity, while rounded lines and forms are generally associated with softness, slower tempo, and femininity.
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Artistic Grammar: Communicative grammar is generally defined by contrast, balance, harmony, and distribution. These are the building blocks of composition, and they help convey context and manipulate relationships among content elements.
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more compelling call-to-action area.
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Designers should know that we humans habitually scan our surroundings. We may focus on one small area or item for a time, but when we change our field of vision, we first begin to visually “consume” that new view by performing a quick scan. In doing this, we unconsciously look for elements of contrast—things that stand out from the forest of mundane elements—as part of our instinctive threat-detection process.
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24 Apr 07
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Are HallandFin, grunnleggande innføring i bruk av kontrastar og visuelt hierarki (A List Apart)
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