eyal matsliah's personal annotations on this page
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Radiohead had made more money before ‘In Rainbows’ was physically released than they made in total on the previous album ‘Hail To the Thief’.
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The topline figure, though, is that there were three million purchases of In Rainbows, including physical CDs, box-sets, and all downloads - including those from the band’s own website and from other digital music stores.
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It’s clear that the BitTorrent downloads did indeed greatly outnumber those from Radiohead’s official site. But this was almost certainly always likely to be the case and all of this should not negate the ’success’ of the experiment.
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there were a total of three million album purchases including the box sets, CDs and all downloads including iTunes and pay-what-you-like downloads via their official site. That’s an incredible number, given that their previous three albums sold in the low hundreds of thousands.
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THE STATS
• After being made available for free for 3 months the album was no.1 in the UK and in the US
• 1st Radiohead album on iTunes – no.1 album selling 30,000 units in the US in the first week
• The physical CD has sold 1.75 million to date and is still top 200 UK & US
• They sold 100k boxsets via W.A.S.T.E.
• Nearing 17 million plays on last.fm
• 1.2 million fans will see the tour
This link has been bookmarked by 7 people . It was first bookmarked on 15 Oct 2008, by Jonathan Bailey.
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Radiohead had made more money before ‘In Rainbows’ was physically released than they made in total on the previous album ‘Hail To the Thief’.
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The topline figure, though, is that there were three million purchases of In Rainbows, including physical CDs, box-sets, and all downloads - including those from the band’s own website and from other digital music stores.
- 3 more annotations...
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Will RichardsonToday Warner Chappell’s Head of Business Affairs Jane Dyball will reveal that the digital publishing income from the first licence (for the Radiohead pay what you want site) alone dwarfed all the band’s previous digital publishing income and made a “mater
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cshirkyReally there seems little doubt that the experiment was a success from both Warner’s and the band’s perspective. For Warner it served to prove a point that by licensing directly (ie outside the collecting society network) and by offering a genuine one sto
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