This link has been bookmarked by 9 people . It was first bookmarked on 28 Jun 2006, by Gregory Robinson.
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24 Jun 14
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Weddle, David. "Lights, Camera, Action. Marxism, Semiotics, Narratology: Film School Isn't What It Used to Be, One Father Discovers." Los Angeles Times, July 13, 2003; URL retrieved 22 Jan 2011.
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Weddle, David. "Lights, Camera, Action. Marxism, Semiotics, Narratology: Film School Isn't What It Used to Be, One Father Discovers." Los Angeles Times, July 13, 2003; URL retrieved 22 Jan 2011.
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n the 1960s and 1970s, film theory took up residence in academia importing concepts from established disciplines like psychoanalysis, gender studies, anthropology, literary theory, semiotics and linguistics. However, not until the late 1980s or early 1990s did film theory per se achieve much prominence in American universities by displacing the prevailing humanistic, auteur theory that had dominated cinema studies and which had been focused on the practical elements of film writing, production, editing and criticism.[3] American scholar David Bordwell has spoken against many prominent developments film theory since the 1970s, i.e., he uses the derogatory term "SLAB theory" to refer to film studies based on the ideas of Saussure, Lacan, Althusser, and/or Barthes. Instead, Bordwell promotes what he describes as "neoformalism."
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05 Apr 10
Filmmakers ISYAn overview of Film Theory and links to specific theories of film.
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02 Feb 08
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28 Jun 06
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